Story: Lallu’s household and friends want to marry him off, but he honestly doesn’t feel the “spark” in any woman. Will he ever meet his soul mate?
Review: After his two-year hiatus from Malayalam, during which he gained a reputation in various industries, Dulquer Salmaan is back. It was clear from the start that he wanted to pursue one thing new in his comeback movie, ‘Oru Yamandan Premakadha’. And this is the way it went.
The film is a handful of “katta” friends who have been together since childhood. Lallu (Dulquer Salmaan) is the king of this group of ‘low class’ children, for those who see them through the eyes of his father. The handsome guy has gotten numerous proposals from ladies since childhood, but as he says, he hasn’t felt the spark yet. His family decides to marry him off, because his IT-savvy, youthful brother wants to get married. But the place to look for this woman?
First problems first. It is primarily a film for Dulquer followers. His character, Lallu, is a quirky young man who is a daily wage painter surrounded by comedic characters performed by Soubin Shahir (Vicky), Vishnu Unnikrishnan (Teny) and Salim Kumar (Panchikuttan). In many cases it produces a burst of laughter, but not an intellectual comedy. The premise itself may not be new, but the creators have managed to keep it fairly entertaining.
The story takes a detour every now and then with certain songs slowing down the story, but the songs are good. Dulquer speaks in Kochi slang, dances to dappankuthu songs, is typically flanked by ladies and delivers comedic liners, all in a way that can no doubt be exciting to a kunjikka fan. It also has what it takes to make sure that the followers overlook the occasional flaws. Molly Kannammali, Soubin, Salim Kumar, Vishnu and Pradeep Kottayam greatly contribute to the many enjoyable moments in the film and thus keep the viewers. It also seems that many sentences from the film can spill over into everyday slang. The humor involving non-Malayali employees can also be fascinating.
The movie’s heroines barely have a home to perform in the movie, which is an absolute DQ gift. A real Tollywood feel is squeezed into many sequences, without much impact. Bibin George may have been used higher as a villain in the film stretching to 2 hours 40 minutes. Exhaustion seeps in sometimes, especially during songs and long stunts.
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